The movie "Wild Children" opens today and touches the wandering brothers and sends them their first warm hug in early autumn

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The realistic emotional masterpiece "Wild Kids" was released today, and a warm current swept through cinemas across the country in early autumn. The film is based on the real story of "wandering Brothers", which moved countless people. Ma Liang (Wang Junkai), the brother of "thief", meets Xuan Xuan (Guan Zixie), the brother of "orphan" who is uncared for. Two abandoned "wild children" warm each other and set up their own warm little home in the wind and rain. Today, this true story is presented more completely and exquisitely on the big screen, and after its premiere, it harvested praise and tears, "good-looking!" It's so warm! What a cry! " It is the highest frequency feedback given by the first audience of the film. The real foundation of the film makes it have more staying power, let the special group of "children in social difficulties" into the public view, and the social significance of the film is also praised by audiences of all ages.

With the simultaneous release of the feature film "We have a Family" and today's posters, the garbage dump has become their treasure, and the abandoned amusement park has become a new home for two abandoned people. A pair of brothers with different surnames spend the four seasons together and also survive the rainy season of life.

see point one: the texture is full! Wang Junkai joined hands with the strength lineup to interpret the new director of "my Sister"

"what a female director! The film is very delicate and moving. " Director Yin Ruoxin creates emotional masterpieces again after my Sister, continues the humanistic care of small potatoes, focuses on the current situation of marginal minors, discusses the social topic of "birth and support", and explains the significance of companionship and love in growing up. The brothers with different surnames created by Wang Junkai and Guan Zixie poked the softness in the hearts of countless audiences. Ma Liang is an abandoned street teenager, a law breaker who steals for a living, and a brother with love and responsibility. Wang Junkai admits that it is a challenge for him to interpret the complexity of this role and to play opposite young actors. The opposite play between the two is often real and impromptu, and the chemical reaction between the two brothers is natural and vivid, making many audiences say, "how lovely and moving, not relatives are better than relatives!" "it's hard to act, and it's still very distressing to see them both!"

The film also includes Deng Jiajia, Chen Yongsheng, Pan Binlong and other powerful actors to join us to build a group of sentient beings with a good sense of texture. Deng Jiajia revealed that everyone devoted themselves to creation with an extremely serious attitude, and it is normal to polish a scene more than ten or twenty times. And the sincerity of the creators also ushered in the positive feedback from the audience, praising that each actor played the role alive, real, three-dimensional and fresh.

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**Point 2: true power! The new perspective of domestic realism presents a little-known group image of wild children.

"Truth has its own power". The film "Wild Child" is based on the real event of "wandering Brothers", and many characters have real archetypes. It is worth mentioning that although the film comes from reality, it does not only tell archetypal stories. On the basis of presenting the moving fetters of archetypes, the film focuses on the special group of "children in social difficulties". The director said that joining the portrait of the group is in the hope that in the limited space, we can see more factual orphans and show the vitality of wild children in running and shouting. "the core of real realistic works is care and respect." through the shaping of a group of wild children, the film not only shows the audience their realistic predicament, but also sees the power of weeds bowing their heads and wild children rising when they are not against the wind.

The people involved in the prototype story of the film were also deeply moved after watching the film, affirming the efforts made by all the creators to restore the authenticity of the story, and thanking the film for letting more people pay attention to the group of children in social distress. The sense of reality added to the stamina of the film. Some audiences said that it was only after watching the film that they learned that it was based on real events, and the tip of their nose suddenly became sour. Although the film presents a cruel reality story, but the background is full of love and warmth.

**look at point three: warm colors in the world! The "thief" brother and the "orphan" brother join hands to roam the two-way redemption and warm the audience.

Ma Liang and Xuanxuan are the core characters of the film, creating sincere and touching famous scenes. As today's posters and feature clips show, when Xuanxuan intruded into Ma Liang's wandering life, the two helpless children relied on each other, the garbage dump could also be a treasure, and the abandoned amusement park could reverberate with laughter and become a home for shelter from the wind and rain. They have been abandoned by their loved ones, just like this forgotten paradise, but with each other, the cracks in life come into warm light, and life, which was supposed to be ruins, can come back to life.

Ma Liang himself has been in the rain and hopes to hold an umbrella for Xuanxuan. " Wang Junkai interprets Ma Liang's feelings for Xuanxuan in this way: "when Ma Liang decided to live with his brother, he made their lives very clean and decent. He hoped Xuanxuan would have a decent childhood." The mutual redemption of the homeless brothers also hit the audience through the screen. "the mood fluctuated with their story, and the tears could not stop, but the corners of the mouth were warmed up again."

**Point 4: social pain points! The topic of paying attention to the topic of "being born but not raising" for minors at risk has drawn people of all ages to ponder.

Through the survival predicament and struggle of "wild children", the film truly depicts a series of "growth sequelae" brought about by the absence of family affection and education, and interprets the important significance of companionship and love in growing up. In addition, the film boldly presents the criminal industry chain hidden behind the children in social difficulties, pretending to be disabled children begging fraud, street robbery, smashing cars and stealing into luxury houses. Wild children are subject to living conditions, and at the stage when their values have not yet been formed, they become tools for illegal elements to accumulate wealth. With the release of the film, a series of topics such as being born without support, the plight of marginal minors, juvenile delinquency and other topics will further enter the public's field of vision and attract the attention of the whole people. As Wang Junkai said in the interview, "being seen is a kind of power". It is hoped that the "wild child effect" will become a night light to illuminate more corners that have been neglected.

Besides the movie, the warm current is also surging. It is reported that under the guidance of the Social Affairs expert Committee of the Ministry of Civil Affairs, the public welfare program of the film "Wild Children" with the same name "helping homeless people go home" has been launched, and part of the box office proceeds will be used to help traffic go home. This film with humanistic care is fermenting its social value.

The film "the Wild Child" is directed by director Yin Ruoxin, Lu Xu as producer and Xu Yizhou screenwriter. It starred Wang Junkai and starred Deng Jiajia, Chen Yongsheng and Pan Binlong, especially Guan Zixie and Chi Xingkai. The film was produced by Henan Yuanqi Film and Television Culture Co., Ltd., Beijing Shangshi Culture Group Co., Ltd., Shanghai Lingguang Film Industry Co., Ltd., Beijing Yuanqi Entertainment Culture Co., Ltd., directed by Henan Film Bureau, and released nationwide today.