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The Beijing premiere of "Fengshen Part 2: War of War in the West" warms the big family with "Spring Festival Reunion"

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![.JPG] (https://imgs.the9c.com/2025/0130/cb486bc020e02b613357b1c592ae1317.JPG) Jiuzhi.com Film Beijing News yesterday, the national mythological epic "Fengshen II: war Xiqi&q...

![.JPG] (https://imgs.the9c.com/2025/0130/cb486bc020e02b613357b1c592ae1317.JPG)

Jiuzhi.com Film Beijing News yesterday, the national mythological epic "Fengshen II: war Xiqi" directed by director Wuershan held the premiere of "Spring Festival Family Carnival, the whole Family watching Fengshen" in Beijing. Director Wu Ershan, producer Luo Shanshan, and actors Huang Bo, Yu Shi, Narnaxi, Chen Muchi, Fei Xiang and Na ran appeared at the post-screening interactive scene to share their feelings and behind-the-scenes stories with the audience. The atmosphere at the meeting was high, and the creators not only brilliantly interpreted the various characters in the film, but also sent red envelopes and blessings full of the atmosphere of the Spring Festival to each other, and happily reproduced famous scenes such as "Yin Shou PUA smelling Zhong and attacking Xiqi" and "three-headed and six-armed Yin suburban warning Wen Zhong", which drew cheers at the scene continuously.

Urshan shares Jifa's kind nature in talking about the growth and loss of roles.

Huang Bo interprets Jiang Ziya's original intention of protecting Li people Chen Muchi shares the complex emotions of "belief collapse" in Yin suburbs

In the second part of Fengshen, the Shang army pressed the border, and Xiqi, which had not been under war for more than a hundred years, was in danger, and a defensive battle of Xiqi with great disparity in strength was on the verge of breaking out. Under the theme of "Guardian" in the film, some people fight to the death to defend their homes, some people give up their lives because of their mission, and some people do whatever it takes to achieve ambition. When talking about the guardian of Kunlun, Huang Bo, who plays Jiang Ziya, said: "We guard the home, the common people, and hope." As the film's lines say, "it is the great thing in the world that ordinary people are happy." Under the gradual guidance of Jiang Ziya, Ji Fa also completed the transformation from the guard of the Wang family in Yin and Shang to the master of Xiqi. The actor Yu Shi introduced: "Xiqi is the strongest belief in Ji Fa's heart." From the initial abandonment of the city to the hope of sacrificing himself to save Xiqi, and then to leading all the army and people of Xiqi to fight against the powerful enemy, it was "this land under my feet" and "the people on this land" that made Ji Fa assume the responsibility of a young master and fight bravely for his family. As for Ji Fa's growth process of "growing up all the way, losing all the way", Yu Shi said: "these pains are not only the driving force of Ji Fa, but also a very valuable asset in the process of growing up. In the face of difficulties, Ji Fa chose to stand up and continue to fight, which is why she had Ji Fa in Fengshen III. " Director Wuershan said: "there is the most fundamental difference between Ji Fa and Yin Shou. All of Yin Shou's considerations are self-centered and defend his own personal pursuit at the expense of other people's lives, while Ji Fa retains his kind nature."

At the event, actor Chen Muchi also shared the mixed emotions of Yinjiao's return from the resurrection. "the first thing he wants to do is revenge, which is full of lies under the altar, which is the main reason for the collapse of his faith." Because of the collapse of the faith he pursued, his emotional and spiritual strength was extremely extreme. As the only relative of Ji Fa in Fengshen II, Lei Zhenzi followed her elder brother Ji Fa in the defense of Xiqi and guarded Xiqi's home together. Many viewers ridiculed Lei Zhenzi as "Xiqi hugging the family." Han Pengyi, the actor, said that he liked the title very much: "I protect the land of Xiqi, which is also my closest relative. Last time I mainly rescued, but this time I protected my brother's integrity." Yang Kui and Nezhang, once affectionately known by the audience as "Kunlun Express", have now won the new title of "Xiqi Shuxiu" in "Fengshen II". The actors this Sha and Wu Yafan said one after another: "Fengshen I" Kunlun Express mission will be achieved, "Fengshen II" is not only a mission, but also fast and accurate. We guard the people of Xiqi and send them to a safe place. "

Narnaxi interprets Deng Xianyu from "fighting for the dead" to "fighting for the living"

Fei Xiang revealed Yin Shou's "Childhood Shadow" contributed to the tyrannical nature of Wu Xingguo and Wen Zhong, the elder of the three dynasties.

As one of the strong opponents of Ji Fa, Deng Xianyu guards the honor of the family and the principled mission of the soldier. "have you ever seen my father kill innocent people indiscriminately?" in the film, it is quite famous. The actor Narnaxi read: "when Deng Xianyu really fights with Ji Fa, the two people can feel each other's kindness, respect for life and guardianship of the family." The belief conveyed by Ji Fa was the same as that of Deng Shiyu, but fate pushed them both to the position of the enemy. They won each other's respect and forged a deep war friendship. " Tai Luan, as Deng Xianyu's deputy general, also has his own beliefs. Liu Chao, the actor, said: "he fought for loyalty and he gave everything to General Deng." In the first film, Yin Shou said to Jichang, who was in prison, "but you know what my father did to me." The suspense left by this conversation is also revealed in Fengshen II. As for the causes of Yin Shou's character, actor Fei Xiang said: "he was ignored by his father when he was a child and longed for his father's recognition and love very much." In the second part of Fengshen, Da Ji is getting weaker and weaker to save Yin Shou, while Yin Shou gradually recovers with the strength of Da Ji. As for Da Ji's behavior of sacrificing Xiu to revive Yin Shou, the actor Na ran further interpreted: "the dominance of Yin Shou is closely related to Da Ji's survival. Da Ji protects not only the resurrection of Yin Shou, but also the protection of his own survival status." Fei Xiang and Naran also shared interesting behind-the-scenes stories together, and they jointly produced an "energy scale" to visualize the transition between Yin Shou and Da Ji as a reference for makeup and performance.

Wen Zhong, the great master of the Shang Dynasty, was loyal all his life and vowed to be loyal to the great merchants. He went on an expedition to Beihai and fought hard for ten years without wavering. After returning to Korea in triumph, he worried about the fate of the great merchants, and under the progressive PUA of Yin Shou, he once again went to Xiqi in armour. Wu Xingguo, the actor, has deep feelings for such a role who regards loyalty as his belief in life. "I have a special feeling for Master Wen, who is a veteran of the three dynasties," he said. From the time he knelt down to pay homage to Yin Shou and finally went out to battle for the big merchants, his inner activities were very close to mine. I am very committed to tradition, because from primary school Beijing Opera, singing martial arts students, pay attention to loyalty, filial piety and righteousness, four words and eight virtues, so I acted very naturally. " In the clip of colored eggs, due to the failure of killing Ji Fa, Yin Shou immediately sent Shen Gongbao to get a taste of Zhong Shou. In the face of the king's order that "the king wants his minister to die, the minister has to die", Wen Zhong finally died under his own sword. The elders of the three dynasties died because of loyalty, and the treacherous Shen Gongbao took over from him and continued to solicit Xiqi. Speaking of Shen Gongbao, the actor Xia Yu said bluntly that he "has nothing in common with Shen Gongbao." "A character is like a mirror," he said. "the ancients said, 'think of the virtuous, but introspect when you see the unvirtuous'. The first thing to play this role is to understand why he is bad. The word 'Tao', following the word 'head' is' Tao'. Shen Gongbao won't die without being decapitated, so he can't follow his head, so he is a man with no way. "

Older actors and actresses give "special red envelopes" to the younger generation to give "year-end bonus" to "Xiqi team".

Yang Lixin and Yang Kui surprised to show up at the scene of the event, "Boyi examination" and "Jifa" family reunion to renew Brotherhood.

The scene of the premiere was lively and filled with a strong atmosphere of the Spring Festival, and the creators prepared a surprise link to send red envelopes, adding a different flavor to the first "non-legacy Spring Festival" in 2025. Huang Bo represented Kunlun as Jiang Ziya, giving red envelopes to Han Pengyi, who played Lei Zhenzi, this sand, who played Yang Kui, and Wu Yafan, who played Nezhan. The Tibetan head poem containing the name makes this blessing surprising and unique with a long aftertaste. Yu Shi, who plays Xiqi Young Master Ji Fa, also handed out red envelopes for the "Xiqi team" who fought together, Wu Hankun as Xin Jia, Bailiga as Lu Gongwang, and Liu Le as too bumpy. In the warm blessing, he won the "moving Xiqi Award", "Best Assistant Award" and "living Award in the Eye", causing a lot of cheers and laughter at the scene. In the Yin Shang camp, Fei Xiang sent red envelopes to Naran, as if "Yin Shou" and "Da Ji" came across the screen to celebrate the Spring Festival with the audience. Wu Xingguo, as Wen Zhong, the master of the Yin Shang Dynasty, also sent red envelopes to his officers and men. Naraxi, who played Deng Xianyu, and Liu Chao, who played Tai Luan, received this blessing to express their gratitude. In addition, Xia Yu, who plays Shen Gongbao, also gave red envelopes to Yin Jiao on behalf of the "Queen Jiang", saying, "I wish my son would be pure and true, carefree for a hundred years." although it is a simple word, it is full of moving love.

It is worth mentioning that Yang Kui, who played the role of Boyi test in the first part of Fengshen, and Yang Lixin, who played the role of Jiang Huan Chu, Dongbo Hou, also came to the event. Yang Kui sent a red envelope to Yu Shi, the younger brother in the play in the name of his elder brother, saying, "in my brother's eyes, you will always be that brave and intelligent young man. I hope you will always be high-spirited and enthusiastic." Red envelopes are not only the blessings of the Spring Festival, but also bear the profound friendship of the crew working together on the road of creation in the 11th year. Sengge Renqin, Aliku, Zhang Yitaki and Nayintai, who played the role of the four generals of the magic family, also appeared on the stage by surprise and were reunited with a group of creators. Han Pengyi said: "recalling the past is the most tearful. The 'Fengshen' will be moved for the rest of his life, and it is an unforgettable memory." Immersed in the warm atmosphere of the big family, everyone in the audience really felt the joy of the Spring Festival reunion.

On the basis of Fengshen I, the famous crosstalk performer Sao Pang, who has received numerous favorable reviews, also came to the scene for the second time. He excitedly said, "I can't watch it once. I have to watch it twice. I want to move all the contents of Fengshen II into crosstalk!" At the same time of "not seeing enough", the pancake also has a strong curiosity about the person who plays the master of Tongtian in the colored eggs. When he learned that Chen Kun, who played the role of Yuan Shi Tianzun, played two roles, he was deeply shocked by the strong contrast between the immortal style and mystery of the two characters, and repeatedly praised: "indeed, the shaping ability of good actors is so strong that it is worth us to learn!"

"107 Brush Honorary producer" pays tribute to the creative ingenuity of the crew.

The foreign audience expressed their love passionately in Chinese. Deng Xianyu's experts at the Palace Museum praised that "looking at traditional culture is a kind of enjoyment."

At the scene, a Swedish audience excitedly said that he loved Deng Xianyu very much and sincerely admired the heroism and charm of the character, saying bluntly that "her valiant manner reminds people of the female commander-in-chief of the Shang Dynasty." What's more, a spectator came to watch the movie in Deng Xianyu's armor made by himself, which was similar in weight to the 25 jin heavy armor that Narnaxi wore. She said excitedly, "it is rare to see such a powerful female character as Deng Xianyu on the screen, and teacher Narnaxi has played a more solid role in her." In this regard, director Urshan said: "Deng Xianyu's role is not only inspired by the original book Romance of God, but also inspired by some real historical figures. Fuhao in the Shang Dynasty was also a female general who was good at war. We want to recreate the heroine image of battlefield, who can decide her own destiny and choose the value she believes in."

Another expert from the Palace Museum shared the origin of the idiom "White Fish Chiwu" and "King Wu Wanfu" at the scene, and found that the guqin in the film referred to the 2750-year-old Zaoyang Guqin of the Zhou Dynasty. He sighed: "the film presents the traditional culture in front of everyone, which may be more enjoyable for me." In addition, interesting interactions were staged at the scene. Not only Chen Muchi, this Sha, and Wu Yafan acted as pictures of Yin suburbs with three heads and six arms, recreating the famous scene of "warning Wen Zhong" in the film, but also three spectators put on their heads to perform the three emotions and expressions of "majesty,"sadness," and "anger," which drew warm cheers from the whole audience. Not only the deep resonance of the character, but also an "honorary producer" of "107 brushes" and "Fengshen I" appeared to express his love for the director Urshan's works with the enthusiasm of 107 times. In order to pay tribute to the film, she carefully painted a hand-painted image of all the creators, and even wrote a poem to bless the box office success of "Fengshen II", pushing the atmosphere of the scene to the best part.

Director Wuershan, with a production team of 10,000 people, has been building a magnificent national mythological epic for more than a decade.

Overseas cinemas in Australia and France are connected to celebrate the first "non-legacy Spring Festival".

The Fengshen Trilogy adopts the narrative structure of a single independent trilogy and three complete stories, in which Fengshen II serves as a connecting link between the preceding and the next. The three colored eggs at the end of the film not only foretell the key plot of Fengshen III, but also have special design significance. Director Wu Ershan said: "I hope the audience can patiently watch the cast, see the heroes behind the scenes, and see everyone who created the 'god' world." Compared with Fengshen I: Chao Song Fengyun, Fengshen II has more staff involved in production, with 14 major creative departments and a total staff of more than 11000. The film practices the road of Chinese film industrialization from script, production to art, clothing modeling, visual effects and so on.

A number of behind-the-scenes creators gathered at the scene to witness the birth of the screen of the Chinese mythological epic world. Ye Jintian, an art director and costume styling director, shared: "Fengshen II shifted the camera from Chaoge to Xiqi, and the crew set up a simple and real city of Xiqi bit by bit. I was deeply impressed by the efforts to be presented on the screen." the film reached a very satisfactory height. " Art designer Qiu Sheng also said: "Fengshen I" built the Chaoge City, while "Fengshen II" led to the rise of a 200-mu Xiqi City. " This city is not only the presentation of the scene, but also carries the spirit and emotion of Xiqi's army and people to protect their homeland. Not only the art production, but also the circus and fighting drama in the film also impressed the audience. At the scene, photography director Wang Yu also personally revealed the behind-the-scenes production story of the double-horse fight between Ji Fa and Deng Xianyu on the cliff. "the scene is so difficult that the distance between the two horses is less than half a meter and cannot be accomplished by visual effects," he said. In order to ensure safety and authenticity, we use 40 excavators to create a circular blue screen, through centrifugal force to ensure the safety of actors, while enhancing the sense of adventure and impact. " For this thrilling equestrian battle, equestrian director Su Rong also sighed: "the effect shown on the screen is extremely proud, and all the efforts are worth it."

In addition to the audio-visual shock, the film also brings people into this magnificent and fantastic mythological and epic world. Music director and songwriter Mon Ke Zhuolan announced at the scene that the film's soundtrack album was about to be released, allowing audiences to relive the shock of this mythical epic through music. Voice director Wang Gang and Liu Xiaosha also came to the scene to share the excitement of "Fengshen II" from the perspective of the audience. Wang Gang said: "the sound composition of the film is extremely complex, and the continuous attempts of the actors and the careful design of the sound team have created a vivid and shocking divine world." As director Wuershan said, Wang Yi, a script consultant and historical planner, not only participated in the teaching of the Fengshen Performing Arts training Camp, but also deeply participated in the creation of the lyrics of the film soundtrack. She sighed: "from the first meeting on June 29, 2014 to the official release of Fengshen II on January 29, 2025, these 10 years and 7 months have been waiting and accumulating." Reviewing the creation process of 11 years, more than 11000 staff members of Fengshen II devoted themselves wholeheartedly, making this mythological epic, which carries the accumulation of thousands of years of history, coruscate new vitality on the screen.

After careful preparation, Fengshen II was not only released to the audience on the first day of the Lunar New year, but also released simultaneously in 16 countries and regions, including the United States, Canada, Australia, Britain, France, Singapore and so on. At the premiere, the creators connected to Australian and French cinemas to share their feelings with the local audience and send New year wishes. Producer Luo Shanshan even revealed her excitement, saying, "this is a good opportunity for us to spread Chinese traditional culture through Chinese films during China's most important traditional festivals." overseas audiences also feel the festive Spring Festival atmosphere, "connected to the scene, Counsellor Jin Jianmin and Consul Xiao Sha of the Chinese Consulate General in Sydney, Minister Chen Dong and his wife of the Chinese Embassy in France, and Wang Yin, Cultural Counsellor. And guests such as Zhang Haomiao, director of the China Tourism Office in Paris, came to the overseas scene in person, and many overseas film creators and film critics expressed their love for "Fengshen II". As overseas "honorary producers", they said bluntly that they were amazed by the ingenious integration of traditional Chinese mythology and oriental aesthetics, and were shocked by the mythological epic world and visual feast presented in the film.

The film Fengshen II: war Xiqi is directed by Urshan, produced by Luo Shanshan, Wuerhan and Guan Xu, produced by Jiang Zhiqiang and starred by Huang Bo. Actors such as Yu Shi, Na'er Xi, Chen Muchi, Fei Xiang, Na ran, Wu Xingguo, Han Pengyi, this Sha, Wu Yafan, Xia Yu, Yuan Quan, Feng Shaofeng, Qian Bo, Ma Wenzhong, Bayartu, Sengge Renqin, Aliku, Zhang Yitaki, Na Yintai, Liu Chao, Wu Hankun, Bailiga, Liu Le and Chen Kun are playing.

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