English (US)

The plot of "Qing Ping Le" is exciting and continuous, and the portraits of characters are portrayed to restore the life of the Song Dynasty

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According to the adaptation of Milan lady's novel "closed city", Zhu Zhu is the screenwriter, Zhang Kaizhou is the director, Hou Hongliang is the producer, Wang Kai and Jiang Shuy...

According to the adaptation of Milan lady's novel "closed city", Zhu Zhu is the screenwriter, Zhang Kaizhou is the director, Hou Hongliang is the producer, Wang Kai and Jiang Shuying are the leading actors, Ren Min, Yang Xuan, Bian Cheng, ye Zuxin, Yu Entai, Wang churan, Liu Jun, Feng Hui and Zhang Benyu are the leading actors, and the costume drama "qingpingle", especially starred by Wu Yue, Xu Lingyue and Cao Xiwen, is on the air. The play revolves around the life of Renzong (Wang Kai), including the memorabilia of his former imperial court, the contradictions and conflicts in the reform of the Song Dynasty, and there is no lack of real and delicate character emotions. More than half of the series has been broadcast, the audience's enthusiasm for pursuing the drama continues to rise, and there are more and more discussions about the plot derivation

Being reprimanded by benevolent sects is a wake-up call to taste sour and sour first love. Hui Rou is pitiable

In the plot last night, Ren Zong's teaching of Zhang MAOZe (Ye Zuxin) made him wake up. Zhang Mao made a big mistake because of selfishness and was shameless to live, but Renzong taught him that no one is wrong, and compensation and Atonement are far better than severe punishment and severe law. Zhang Mao, who was awakened, began his own road of atonement. He led people to deal with the outer house of grandma Jia (Cao Xiwen), sent out the little maid in waiting who exposed Xu lantiao (Xu Xiaohan), and was ordered to send grandma Jia's coffin to Xia Cheng (Feng Hui). After learning that the ill gotten gains from Grandma Jia's private house were allocated by Renzong to beizhou to start a righteous school, Xia Cheng finally understood why Renzong only killed the thief's head but did not pursue it deeply after he had rebelled against Maitreya. Instead of killing widely, he leveled the hearts of the people and taught them skills in rebellion. The benevolence of Renzong is admirable

At the same time, the palace also ushered in the Double Ninth Festival banquet, which was supposed to be a happy day of reunion, but Renzong was worried about Zhang MAOZe, and heard Zongshi's child call himself "Dad", so he couldn't help thinking of the most exciting moment of premature death. New worries and old emotions surged together, and he was very sad. Empress Cao (Jiang Shuying) saw Renzong's worries and wanted to calm his emotions. She proposed to Renzong that Jin Miao Xinhe (Xu Lingyue) be the second grade Shuyi and Zhang Jianhan (Wang churan) be the concubine. Renzong understood her pains and immediately agreed. Hearing that Zhang Yihan was promoted, Hui Rou (Ren Min) was depressed. After leaving the banquet, Hui Rou cried to HUAIJI (Bian Cheng), saying that she could not bear Zhang Yihan's position over her biological mother, nor could she understand why empress Cao took the initiative to promote Zhang Yihan. At this time, Hui Rou just saw Cao Ping (Ding Jia Wen) and other women's ensemble music, adding more melancholy. Fortunately, HUAIJI was close to her, and baked taro for her to eat

The characters are exquisite and moving, and the plot presents the great song dynasty style

"Qingpingle" has never been stingy in the description of the characters, from the important officials of the previous dynasty, the concubines of the harem, to the small people of the market, the peddlers and pawns. Each character is meticulous and vivid, which is impressive. Such as empress Cao, who was bright and beautiful in her childhood and now has perfect virtue; Again, like Zhang MAOZe, who was calm and loyal at the beginning and now made a big mistake for his selfishness, there are also Xia Cheng, who is both a talent for governing the world and a "traitor". Everyone in the play upholds different outlooks on life and values, and it is these characters with different identities and diverse personalities who jointly build a lively and vivid life in the Song Dynasty

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