"who says I can't get married" is coming to an end, Pan Yueming, Tong Yao, Chen and several join hands in "practicing love" to pursue happiness.

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Pan Yueming, Tong Yao, Chen Shu and other major actors are all very suitable for the characters in the play. "who says I can't get married" is rooted in reality, explores women's emotional world, pays close attention to women's growth, and becomes a clean stream. In this midsummer, "who says I can't get married?"

the strong cast gathered to perform vividly to ensure the quality of the series

encourage women to break their prejudices and show independent women's elegant demeanor

now that the problem of single women getting married is getting more and more attention, it has more profound practical significance to focus on urban independent women and "who says I can't get married", which speaks for the female group. Through Cheng Lu, Tian Lei and Ding Shiya, three independent women with different experiences and different personalities, the play shows the love, career and life difficulties commonly encountered by urban women. They are "older single young women" in the traditional sense, but with economic independence and more choices, they carry the banner of spiritual independence, are not trapped by the anxiety of "marriageable age" and are not limited to the labels imposed on women by the outside world.

35-year-old Cheng Lu is rated as "unsalable" in the matchmaking market and is discriminated against by age because she is unmarried, questioned about the relationship line that can not write a good screenplay, is judged by the value of dating men and forced to marry. Although Tian Lei, an elite lawyer, has outstanding abilities, she is also subject to gender discrimination, being rejected by her clients because she is unmarried and not having children, and even being forcibly instilled by her biological father that "women should return to the family to have children." These female dilemmas are based on real life, and can better touch the hearts of the audience, so that the audience can find their own shadow in the characters in the play, and reflect on their own situation, so as to gain inspiration through the counterattack of the characters in the play. Cheng Lu said three times in the play, "it's not that I can't get married, it's that I don't want to get married." although her emotions are different each time, she can realize her feelings and growth on love and marriage from her progressive attitude. Tian Lei as an "unmarried", ignoring women should be gentle and humble idea of kidnapping, have the strength to climb to a high position step by step, you can get whatever you want. In the play, women are strong and self-loving, and they fight back against rumors by their own actions, conveying that women should not be defined, that being single or getting married is only a personal choice, and that they are determined to bravely get rid of stereotyped prejudices.

create group images of women to convey the voices of women in the new era

with the increasing awakening of female consciousness, women also have more say in society, while issues such as "women encounter gender discrimination in the workplace" and "how women balance their family and career" also appear in film and television works. The creation of female-themed dramas is in the ascendant, among which there are many "big female dramas" that impact the audience's line of sight. However, many dramas are just suspended in reality, with the shell of independent women as romantic idols to do wedding clothes, there are only a handful of independent women who are really deeply rooted in the hearts of the people. "who says I can't get married" is rooted in reality, explores women's emotional world, pays close attention to women's growth, and becomes a clean stream. The workplace and love stories in the play are real and poignant, focusing on reality but not heavy, but lightening the core of seriousness with witty plots and smiling lines, causing public discussion with the collision of different viewpoints while improving viewability, skillfully outputting multiple views on love and marriage. The success of "who says I can't get married" in shaping the image of women helps to spread the voice of independent women in the new era.

in this midsummer, "who says I can't get married" enters the bureau with the theme of realism, triggering a wide discussion. As this week draws to an end, what kind of fun values will be conveyed to the audience? At 19:30 every night, please lock "who says I can't get married".

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