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Big-name actor movies are released in a crowd. "self-Game" Young actors are not connected with serious faults.

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Since the beginning of this year, many actors have frequently shown their works in huddles, and the same actor has appeared in many films at the same time, "beat yourself" at the box office. Big-name actors have become the absolute main force of the film industry, which also hides the fact that young actors are not connected and have serious faults.

since the beginning of this year, many actors have frequently released their works in groups. In the same period, the same actor appeared in many films and "beat yourself" at the box office. However, the phenomenon of "hitting the stall" has existed for a long time. Huang Bo had three films released at the same time as early as the National Day holiday in 2014. Big-name actors have become the absolute main force of the film industry, which also hides the fact that young actors are not connected and have serious faults.

original title: "hit yourself" frequently on the big screen

since the beginning of this year, many actors have frequently shown their works in hordes, often showing two or more of their own films at the same time. In the end, they can only "hit themselves" at the box office. In fact, the phenomenon of "hitting the stall" has existed for a long time. Huang Bo had three films released at the same time as early as the National Day holiday in 2014. Big-name actors have become the absolute main force of the film industry, which also hides the fact that young actors are not connected and have serious faults.

< strong > A big-name facial scan < / strong >

< strong > Koo Tianle responded: actors can't control the release time < / strong >

the box office records of Chinese films are constantly breaking new records. However, there is not much that can be called the real "box office responsibility", and the leading actors are always going back and forth.

following the appearance of "hitting the stalls" by a number of actors in the summer vacation, the next "Mid-Autumn Festival" and "National Day" will once again appear as the "overlord" of "hit yourself" in multiple films. Among them, two films starring Liu Ye, "the Hunter" and "my War" will be released on September 14 and 15. "my War" was originally scheduled for release on National Day, but it was later raised to the Mid-Autumn Festival and collided head-on with another film starring Liu Ye, "the Hunter."

Fan Bingbing is also facing a "collision" situation. On September 30, two films starring her, "I am not Pan Jinlian" and "Lordship" will be released on the same day. As a matter of fact, as early as this summer, Fan Bingbing became a veritable "bully king" with "Escape of the Jedi" and "legends of the gods."

similar situations have been common since the summer holidays. Among them, Zhong Hanliang starred in three summer films, "the Bounty Hunter,"the threesome," and "the Great reversal." Louis Koo became an absolute model worker in four films: "the Apostle,"the Legend of God,"the Trinity," and "the dangerous City."

in this regard, Koo Tianle said at a press conference yesterday that the most important thing as an actor is to act well, and objective factors such as when the film will be released are not up to him.

< strong > casting routines: it is up to the market and audience to decide < / strong >

< strong > Young actors are hard to be recognized by their "appearance" and popularity < / strong >

the frequent "facial scanning" of big-name actors reflects, to some extent, the reality that powerful actors in the film industry do not pick up. The biggest reason for this phenomenon is that the acting skills of young actors can not keep up.

Today, when the economy of fans is dominant, many films and television works use popular idols as leading roles in order to attract young audiences. But on the one hand, these newcomers have not received enough training, and their acting skills have not been honed; on the other hand, they lack life experience when they are young, and they do not have much time to experience life for their characters, so they can only act on imagination. The effect is also difficult to resonate with the audience. Take this summer as an example, although many youth films are "pretty", their acting skills have been criticized. In the end, it is not only difficult to win audience recognition, but also reduced to cannon fodder at the box office.

therefore, when there is a lack of preparation, lack of training, and when all aspects are not yet mature, just rely on popularity and appearance to rush onto the big screen, the chance of success is really not high, and the progress of young actors is too slow to rise. It is only natural for senior actors to continue to "dominate the screen".

< strong > the actor is passive and the film side is not willing to spend money and take risks. < / strong >

of course, the choice of investors is also a major reason for this phenomenon. More than one or two artists said in an interview with reporters that the actors were actually very passive. What film did they choose to act in? What role do you play? Most of them have to wait for the film to come to us. Compared with television, which has become a platform for a large number of newcomers, film investors appear to be more conservative when choosing the leading role. From the businessman's point of view, the film requires the audience to spend money to walk into the cinema, although the cost of newcomers is low, but the risk is higher, while the cost of mature actors is high, but the audience is willing to pay to see them. As a result, now many producers and directors would rather spend more money on stars than save money to hire newcomers to "take risks."

Feng Delun, an actor and director, once said in an interview with the media that such casting routines are related to the market and the audience: "if the audience insists on seeing these stars, there is nothing they can do if they are willing to pay for tickets to enter the play." Actors without box office appeal cannot guarantee movie sales; failure to recover the cost means that no one may invest in the film any more. Therefore, the choice of the market is also an important reason behind the difficulty of newcomers coming to the fore.

< strong > Actors break through: from the development of their own acting path, they can also become box office guarantees < / strong >

in the film industry, to be able to meet a good script and a good role is the dream of almost all actors throughout their lives. But this is often impossible to find. Good works are hard to find, which often leads to good actors having a stunt, but suffering from being unable to find a stage to play. According to the analysis of people in the industry, there is no shortage of good actors in the circle, and their acting skills are good, but they suffer from not having a good script or character to find him, even if they have nothing to do with talent.

secondly, lack of self-awareness, do not know what they are suitable to play, random roles, frequent bad acting, but eventually lead to their own poor reputation in the industry. On the other hand, some actors, because they find the most suitable way, become famous in World War I, form a virtuous circle, and finally get double recognition in the market and professional fields. Bai Baihe is one of the examples. since her debut, she has known the most suitable play path, almost "zero error" in script selection, and eventually became the only candidate for the leading actress in "Girl Movie". It has also become one of the few box office guarantees among female artists.

Dong Zijian is also one of the best young actors. He is also a professional student of the Central Academy of Drama, with no doubt about his acting talent. But acting alone is not enough, but also need to have a professional vision of the script in order to ensure a good role, often played a stubborn teenager in a continuous line in the role, but also left a deep impression on the audience.

Zhou Dongyu worked with Zhang Yimou as soon as he made his debut, with a high starting point. But she did not dare to snub in script selection, and specifically hired a professional team to help her check the script and discuss with them to ensure that she played the most suitable role. Now she is also beginning to make breakthroughs. In the latest film July and Anson, she boldly gives up the stable character of "July" and instead chooses the fierce character of "Anson." the effect of the seemingly adventurous choice is surprising, virtually broadening her future.

< strong > headline comments might as well give new actors more patience < / strong >

mature stars frequently "dominate the screen". On the one hand, it is the recognition of these actors' strength and box office appeal, but on the other hand, it may also have a negative impact. First of all, the audience may have aesthetic fatigue, the same face looking back and forth, there will always be tired of the time. Secondly, if actors "play" too much at the same time, it may also affect their real commitment to the role.

of course, in a way, the emergence of such a phenomenon is actually an irresistible rule. The number of people who are popular in each era is basically fixed. Even Tony Leung did not really become popular until he was 40 years old, and as a producer, he is more willing to choose who has more box office appeal. This is determined by the law of the market, what is invested is real money, and the input must be calculated in output, so they will try their best to minimize the risk of investment.

but in spite of this, new actors and actresses are still not completely without a way out. It is difficult to last long based on their popularity and appearance. Only by constantly improving their acting skills and abilities will the producers be more willing to give them a chance.

for the industry, it takes time for new actors to grow up, and they must be given more patience and opportunities. This year, big names in the industry, such as Huang Bo and Ning Hao, have launched their latest plans to support new directors, using their own resources to tap the potential of these newcomers, help them realize their dreams and inject more new blood into the film industry. In fact, Ning Hao himself first made such an excellent work as Crazy Stone through the financial support of Andy Lau, and became one of the most successful new directors in the circle. The success of this film not only won the popularity of Ning Hao, but also gave new actors like Huang Bo the opportunity to successfully open their own acting career. Therefore, supporting new directors is also indirectly supporting new actors. If the film industry can continue to pass on in this way and give new directors and actors more opportunities, there will be more excellent filmmakers like Ning Hao and Huang Bo in the future.

Edit: vian

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