China Intangible Cultural Heritage Protection Center

China Intangible Cultural Heritage Protection Center is a professional institution for the protection of intangible cultural heritage at the national level approved by the office of the central organization establishment committee and approved by the former Ministry of culture (now the Ministry of culture and Tourism) on September 26th, 2006 to "add the brand of China Intangible Cultural Heritage Protection center to the Chinese Academy of art". The China Intangible Cultural Heritage Protection Center (hereinafter referred to as the "center") undertakes the specific work related to the national intangible cultural heritage protection and policy consultation on the intangible cultural heritage protection work, organizes the nationwide intangible cultural heritage survey, guides the implementation of the protection plan, carries out theoretical research on the intangible cultural heritage protection, holds academic seminars, exhibitions (performances) and public welfare activities, exchanges, promotion Publicize the results and experience of protection work, organize and implement the publication of research results and personnel training. Wang Wenwen, Lianji and hanziyong have served as the directors of the center. Now, Wang Fuzhou, vice president of the Chinese Academy of art, is the director of the center.
Since its establishment, the center has fully participated in and played an important role in the protection of China's intangible cultural heritage. Participate in the legislative research and legal text demonstration of the intangible cultural heritage law of the people's Republic of China, and undertake the evaluation of the implementation of the law; Participate in the drafting and demonstration of documents related to intangible cultural heritage of the State Council, the general office of the State Council and the Ministry of culture and tourism; Compile relevant standards for the protection of intangible cultural heritage in China; Carry out the evaluation and implementation of the application materials for China's application for the UNESCO intangible cultural heritage list (roster), write the performance report, and make contributions to the successful inclusion of 42 intangible cultural heritage projects in the UNESCO intangible cultural heritage list (roster); Undertake the investigation, demonstration, evaluation and acceptance of national cultural and ecological protection (experimental) areas. The center has participated in the implementation of 7 national cultural and ecological protection areas and 16 national cultural and ecological protection experimental areas that have been established; Hold special training activities that meet the practical needs of intangible cultural heritage, involving topics such as the declaration of the list of representative projects of national intangible cultural heritage, the construction of cultural and ecological reserves, the protection team of intangible cultural heritage, and the investigation of intangible cultural heritage projects in nine provinces of the Yellow River Basin; Organize and implement academic research work such as "research topic on the protection and inheritance of intangible cultural heritage during the 13th Five Year Plan period"; Organize and implement the naming, project approval and acceptance of three batches of 23 "national intangible cultural heritage protection and research bases"; Hold a variety of publicity and exhibition activities to promote a good atmosphere for the whole society to participate in the protection of intangible cultural heritage; Organize academic seminars on intangible cultural heritage to provide intellectual support for the protection of intangible cultural heritage in China; Undertake the publishing of intangible cultural heritage protection achievements and intangible cultural heritage theoretical research achievements, and have published the introduction to intangible cultural heritage, the atlas of the national intangible cultural heritage list (the first batch to the third batch), the grand ceremony of representative inheritors of national intangible cultural heritage projects (the first batch to the third batch) "Series of representative works of China's intangible cultural heritage", "series of theories and methods of intangible cultural heritage protection" and other related books; Undertake the construction of digital protection projects such as "China Intangible Cultural Heritage digital protection project" and "development of industrial standards for intangible cultural heritage digital protection series", and use digital technology to comprehensively, truly and systematically record the relevant information of representative projects of intangible cultural heritage.
At present, the center takes the initiative to integrate into the major decisions and arrangements of the party and the state, such as the Rural Revitalization Strategy, the construction of national cultural parks, the integrated development of culture and tourism, and fully participates in the creative transformation and innovative development of Chinese excellent traditional culture with the theme of the protection, inheritance and promotion of intangible cultural heritage, actively cooperates with the new measures of building a socialist cultural power, and on the basis of Solidly Promoting the original work in accordance with the latest deployment requirements of the Ministry of culture and tourism, We should speed up the border survey of intangible cultural heritage, do a good job in writing the performance report, build an academic and disciplinary system of cultural heritage, focus on promoting the discipline construction and talent training plan of intangible cultural heritage, and create a platform for theoretical research, talent training and academic exchange of intangible cultural heritage, so as to contribute to the prosperity and development of China's intangible cultural heritage protection.
## Main leaders of the center:
### Director: Wang Fuzhou
Wang Fuzhou, male, Han nationality, member of the Communist Party of China, was born in November 1965, with the title of professor. Currently, he is the vice president of China Academy of art, director of China Intangible Cultural Heritage Protection Center, editor in chief of China Intangible Cultural Heritage, and member of the Management Committee of UNESCO Asia Pacific intangible cultural heritage international training center. Professor title, has long been engaged in the study of the form of heritage, involving cultural heritage, intangible cultural heritage and material cultural heritage, and dabbled in the history of calligraphy, painting and ideological history in his spare time.
#### 1、 Academic profile
（1） The personal academic monograph "morphology of cultural heritage" discusses the similarities and differences between the structure of heritage and intangible cultural heritage, and puts forward the idea of upgrading cultural heritage to a national first-class discipline. It advocates breaking through the concept of heritage in the context of the grand heritage concept, taking the study of cultural heritage as the first step, and building a cultural heritage system with physical heritage and intangible heritage as the basic framework;
The monographs "morphology of intangible cultural heritage" and "Research on the morphology of intangible cultural heritage" have reconstructed the system of China's intangible cultural heritage. Reinterpret, examine and interpret "things" in the most essential sense of traditional culture, take ideological wisdom, exquisite wisdom and oral wisdom as the results of "internalization in the heart", penetrate into the five categories of the Convention, and supplement and improve the existing concept, definition and classification of intangible cultural heritage. In short, intangible cultural heritage is not only "externalized in form", but also "internalized in the heart" to reflect the essence, integrity and dominance of traditional culture.
（2） In the past five years, other academic articles have been published in more than 40 mainstream journals and media, such as literary and art research, people's daily, cultural research, and so on. The main representative works and academic views have been reproduced by Xinhua digest, copies of the National People's Congress - cultural research, and China Social Sciences digest.
Among them, "a book with its own name must have deep interest" (Literary and art research -2019.4), "looking at traditional culture from the perspective of development" (people's daily -2014.11.14), "making cultural heritage live" (people's daily -2018.5.30), "revitalizing traditional crafts with creative spirit" (Xinhua digest -2016.9), "discipline positioning and future development of" Cultural Heritage Science "(Xinhua digest -2021.17) The Chinese Paradigm and system construction of "cultural heritage" (Cultural Research -2021.9), valuable exploration of cultural heritage protection (people's daily -2021.1107), and how long it will take from practical exploration to discipline construction - also on discipline construction of intangible cultural heritage (cultural heritage -2021.06) have been reproduced.
#### 2、 Academic awards.
Entrusted by the academic degree Office of the State Council, it has taken the lead in promoting the upgrading of cultural heritage studies to national first-class disciplines. At present, the achievements include "intangible cultural heritage protection" has been officially included in the undergraduate curriculum series of colleges and universities, and the intangible cultural heritage master's talent training plan has been included in 32 colleges and universities to carry out pilot projects; He has presided over and undertaken national, ministerial and academy level scientific research projects for many times. The national standard for the collection and description of intangible cultural heritage resources, which he presided over and promoted, has entered the approval process, and the intangible cultural heritage into campus project and China's intangible cultural heritage big data project have entered the substantive stage; The 24 solar terms, which was promoted and presided over, has been nominated for the 2020 National Science and technology progress award.
#### 3、 Academic lectures
Intangible cultural heritage from "protection action" to "discipline construction"
Since Kunqu opera art was included in the list of the world's first "representative works of human oral and intangible cultural heritage" on May 18, 2001, China's intangible cultural heritage has followed the form and concept of the UNESCO Convention for the protection of the intangible cultural heritage. After more than 20 years of practical exploration, despite the difficulties, it has achieved fruitful results. The intangible cultural heritage law has been promulgated, a four level list system has been established, 43 items have been included in the UNESCO Convention list, and many "Chinese experience" of intangible cultural heritage protection have been created, which has been widely praised by the parties. While carrying out practical exploration, academia has always been thinking that China and the West are two sets of civilization systems. Chinese culture is not only "externalized in form", but also "internalized in the heart". Only by digging along the context of "things" and the literary spirit of "people", can the wisdom, uniqueness and integrity of traditional culture be highlighted. It can be expected that the combination of Marxism and traditional culture will inevitably produce more new forms of civilization. China's intangible cultural heritage has begun a long journey from the concept of "practice" at the national level to the "discipline" construction of cultural heritage.
### Deputy director: haoqingjun
Haoqingjun, male, Han nationality, born in April 1968 in Feicheng City, Shandong Province, is a member of the Communist Party of China, a researcher, with a doctorate degree. He graduated from the Graduate School of the Chinese Academy of Social Sciences, and now works as the deputy director (deputy bureau level) of the China Intangible Cultural Heritage Protection Center. Academic monographs include poetics and Politics: a study of Lu Xun's Late Essays 1933-1936 (2007), Lu Xun's space for resistance (2010), and literary trends and literary movements in the early years of the Republic of China (2017).
#### 1、 Work experience
1. From August 2006 to September 2009, served as the office secretary of the office of the office of the Chinese Academy of art.
2. From September 2009 to may 2011, he served as the deputy director of the scientific research management office of the Chinese Academy of art.
3. From May 2011 to December 2015, he served as deputy editor in chief and editor in chief of biography.
4. From December 2015 to June 2016, he served as the executive deputy editor in chief of the culture and Art Publishing House.
5. From June 2016 to April 2017, served as the chief editor (legal representative) of Yanhuang Chunqiu magazine.
6. April 2017 to September 2017, culture and Art Press, chief editor.
7. From September 2017 to July 2020, he served as a full-time researcher at the Institute of Marxist literary theory of the Chinese Academy of art.
8. From July 2020 to 2022, he served as the deputy director (deputy bureau level) of China Intangible Cultural Heritage Protection Center.
#### 2、 Academic profile
**（1） Monograph**
1. Doctoral thesis poetics and Politics: a study of Lu Xun's Late Essays 1933-1936. Culture and Art Press, January 2007 edition.
2. Monograph "literary thoughts and literary movements in the early years of the Republic of China". Beijing Times Chinese publishing company, July 2017 edition.
3. Anthology: Lu Xun's resistance space. Shandong literature and Art Publishing House, March 2010 edition.
**（2） Thesis**
1. "The entertainment tendency of literature in the early years of the Republic of China from the prosperity of literary journals", published in Dongyue Lun Cong, 2012, issue 10.
2. Relocation and seclusion: Lu Xun's activity map and Shanghai cultural space. Published in literary theory and criticism, issue 1, 2019.
3. The survival of the "May 4th" tradition in the context of the "Sinology craze" - Lu Xun's way of resistance. Published in literary theory and criticism, issue 2, 2009.
4. Conceptual innovation and multidimensional vision of "modern literature" research. Published in Tianjin Social Sciences, 2014, issue 2.
5. The significance of the literary history of "shady novels" in the early Republic of China from prosperity to decline. Published in the first issue of Zhongzhou journal in 2013.
6. Introduction to seventy years' novels of the Republic. Published in "forum of literature and art", issue 2, 2020.
7. "Do a good job in four articles, and constantly expand the boundary and territory of intangible cultural heritage protection practice -- Interpretation of the third part of the" opinions ", published in China's intangible cultural heritage, issue 6, 2021.
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