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"Wild Children" reveals "Our Home" production special features and posters sincerely create a home for "wandering brothers"

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![01.jpg] (https://imgs.the9c.com/2024/0625/3f33cd4785f448f9460c0a9df43d265d.jpg) Today, the realistic emotional masterpiece "Wild Kids" releases "our Home" to...

![01.jpg] (https://imgs.the9c.com/2024/0625/3f33cd4785f448f9460c0a9df43d265d.jpg)

Today, the realistic emotional masterpiece "Wild Kids" releases "our Home" to produce special features and posters. In the special, the director [Yin Ruoxin] (), [the person involved in the prototype incident, Zhou Yun] () (Deputy Chief of the Patrol Police Brigade of Linwei Branch of Weinan Public Security Bureau), [Lu Dong, Art Director and styling Director] (), photography director Deng Xu, leading actor Wang Junkai and special introduction [Guanzixie] () and other creative creators all showed up to share the details behind the scenes and reveal the original intention of the behind-the-scenes creation. Jointly interpret the creative concept, actor performance, costume, landscape art and other aspects of the content. At the same time, I hope to focus on the social issues of "groups of children in social difficulties", show the hot vitality of "wild children" in the most sincere way, and strive to present a warm story full of power and true feelings to the audience. The poster has a great visual impact. "Wild Children" are in the corners of cities such as "garbage Mountain" and "Dyke", trying to survive. The film will be released in the summer on July 12.

truly create a "warm" story and truly restore the "hot" vitality

The film is based on the real event of "wandering Brothers". In the special released today, Director Yin Ruoxin revealed that he had paid attention to the news a long time ago, hoping to use the realistic creative tone to describe the relationship between the two brothers with different surnames, so as to restore this true and warm story. Police officer Zhou Yun, who was involved in the prototype incident, also confirmed the crew's intention. She believed that "the film, from the director to the actor, wants to restore the real state very much." When it comes to character design, Wang Junkai shared his thoughts on the role with the audience after an in-depth experience of life and character observation in the early stage. He thinks that Ma Liang is not afraid of people, but he just doesn't want to communicate with others. Therefore, when performing, Wang Junkai will make a distinct interpretation, for example, he will not look directly at strangers, but will look at his brother and speak; Ma Liang will walk with his arms sandwiched between the sides of his body to reduce his sense of existence; he lives in a shabby house, but the bed and clothes will be kept clean and so on. Ma Liang himself is a beam of light, illuminating his younger brother Xuanxuan, and they have the right to live a good life. At the same time, the director chose the rookie actor Guan Zixie, whose innocent performance just showed his brother's simplicity and purity, and the director was also moved by his brother's sincerity: "when he was running, he was full of the wildness of life."

Another highlight in the film is the combination of reality and fantasy in "scene Art". Art and styling director Lu Dong and photography director Deng Xu said that the crew chose "ice cream parlors in abandoned amusement parks", "unfinished buildings" and other deserted places that once had a sense of smoke and fire as their filming sites. Then combined with romantic treatment to transform, such as "colorful glazed window", "mossy seesaw" and other scenes. And Amoy for some old sofas, old toys and other props that have experienced time baptism, based on realism, to create a dilapidated but warm brother life of the wasteland home.

![02.jpg] (https://imgs.the9c.com/2024/0625/1009ce7ffb9f497699d3ada07c4960da.jpg)

Wild children who grew up wantonly on the garbage mountain illuminate each other with love as light

The theme posters released at the same time focus on the living environment of "Wild Children". With a strong visual impact of the environmental composition with each character's life scene, bringing a very contrasting sense of atmosphere. Elder brother Ma Liang and younger brother Xuanxuan sit on the garbage mountain, a garbage dump that people avoid, but it is an important home for them to survive. On the other side of the river in the dimly lit big city, Da Mao and the mouse lay by the dyke under the street lamp in the middle of the night, drinking and talking, as if they were planning their future and might be able to take root in the big city. The poster brightens the eyes of the audience and moves them with a "sincere and real" texture.

The creators say the film [condenses a hot belief] (), hoping to draw more attention to the group of "children in social distress". Since "filing", the film has been very popular on various platforms, causing extensive discussions among the audience, "about the social problem of being born without upbringing", "No one has ever given love to my brother, but my brother has made my brother learn to love" and "has nothing to do with consanguinity." the company in the name of love is the most touching "… The director also expressed his true feelings, hoping that after dark, every child would have a "home" to go back to, and that there would be no such "wild children" in the world.

The film "the Wild Child" is directed by director Yin Ruoxin, starring Wang Junkai and starring Deng Jiajia, Chen Yongsheng and Pan Binlong, especially introducing [Guan Zi Xie] and Chi Xingkai. The film is produced by Henan Yuanqi Film and Television Culture Co., Ltd., Beijing Shangshi Culture Group Co., Ltd., Shanghai Lingguang Film Industry Co., Ltd., Beijing Yuanqi Entertainment Culture Co., Ltd., and directed by Henan Film Bureau. The film will be released nationwide on July 12.

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