The Spring Festival movie "Fengshen Part 2: The War of War in the West" released a special feature of the West Qi Camp

Today, the national mythological epic Fengshen II: Xiqi in flames of War, directed by director Wuershan, released a special edition of the Xiqi camp, and the core characters against the army of the Shang Dynasty in the Battle of Xiqi appeared one after another. At the end of the film "Feng Shen I: the Wind and Clouds of Chao Song", Ji Fa resolutely assassinated Yin Shou and then embarked on his way home. Jiang Ziya also fled all the way to Xiqi with Feng Shenbang. In Fengshen II, Yin Shou fought against Xiqi and was determined to win the list of Fengshen. In the face of the pressure of a large army, Xiqi, which has not been in war for more than a hundred years, is in danger, and the army and people in the city are ready to train in plain clothes. The resourceful "fishing staff" Jiang Ziya (Huang Bo), the "Xiqi Master" Ji Fa (Yu Shi), the resurrected Yin Jiao (Chen Muchi), and the Thunder Zhenzi (Han Pengyi), who are facing many tests, appear on the stage one by one to defend Xiqi. In addition, Kunlun disciples Yang Kui (this sand) and Nahan (Wu Yafan) also follow the orders of Yuan Shi Tianzun (Chen Kun) to follow his uncle Jiang Ziya and work together to help Xiqi to protect the safety of the people. Under the siege of the army, the city of Xi Qi is in jeopardy, and a defense war with great disparity in strength is imminent!

In this "ideal home" guarded by Xiqi's army and people, the endless wheat sea contrasts with the scattered dwellings, and the Phoenix totem, which symbolizes peace, is permeated with the beauty of humanity. Walking with the special lens, the audience can more directly feel the charm of the real scene to build a city. Producer Luo Shanshan said Xiqi City was "a place with temperature". Director Wu Ershan further interpreted: "protecting the happiness and good feelings of these ordinary people and protecting people's happy life are the reasons for this Xiqi defense war, and what is more, it is the real meaning of defending their homeland." In the play to protect the home, outside the play family reunion, this scene makes the first "non-legacy version of the Spring Festival" in 2025 more rich. On the first day of the Lunar New year, watch Chinese mythology, celebrate the Chinese New year, and go to the fantastic and magnificent mythological epic world with your family.

The film is directed by Urshan, with Luo Shanshan, Wuerhan and Guan Xu as producers, Jiang Zhiqiang as producer, and Huang Bo as producer and actor. Yu Shi, Na Ernaxi, Chen Muchi, Fei Xiang, Naran, Wu Xingguo, Han Pengyi, this Sha, Wu Yafan, Xia Yu, Sengge Renqin, Aliku, Zhang Yitaki, Nayintai and Chen Kun will be released nationwide on the first day of the Lunar New year in 2025.

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both inside and outside the play, teachers and friends Huang Bo help to polish the details of the performance

the texture of "energy body" in Yin suburb phase of "unlocking" comes from the blue glass pharmacist Buddha

In the special, in the face of the pressure of the army, Jiang Ziya said calmly, "I don't see the army, I only see the big fish", which seems to have a strategy to break the enemy. At the end of Fengshen I, Jiang Ziya leaves Chaoge with the list of Fengshen, and is chased by Shen Gongbao (Xia Yu) all the way to Xiqi. Ji Fa also recognized the abusive and unscrupulous face of Shang Wang Yinshou (Fei Xiang) and returned to his native Xiqi. Under the guidance of Jiang Ziya, Ji Fa assumed the responsibility of "Master Xiqi" and led Xiqi's army and people to fight bravely for their family. In the face of the powerful Shang army, Ji Fa, who was the "Young Master of Xiqi" at the beginning, has little combat experience, and he will also experience the tests of war, humanity, responsibility, and so on.

Outside the camera, Jiang Ziya's actor Huang Bo is not only the lead actor, but also the producer of the film. He often shares his acting experience with young actors on the set to help them shape their roles more accurately. In Fengshen II, Huang Bo and Yu Shi contributed many wonderful opposite scenes. In one of the scenes, Ji Fa, who was a young master for the first time, was full of self-remorse because he was worried that he would involve the innocent people of Xiqi. In order to externalize Ji Fa's psychology, Yu Shi designed a variety of body language, such as hips and hands, but the effect was not satisfactory all the time. Feeling his anxiety, Huang Bo suggested that he should "clench his fist" to show a state of complete tension. A change in detail will help Yu Shi quickly identify the state of the character and deduce a more infectious emotion.

In the second part of Fengshen, Yin Jiao made a successful connection in Kunlun and came back from the dead. Due to absorbing the mana of Yuanshi Tianzun, Yinjiao has two forms: Noumenon and Dharma phase, which is a blue giant with three heads and six arms. After returning from the resurrection of Yinjiao, his combat strength increased greatly, and he joined the Xiqi camp at the behest of Yuanshi Heaven. Full of anger, he will have to face the cruel reality that "his family is the enemy". Visual effect instructor Jeremy Ball said: "Yin Jiao, as a mortal without any basis for practice, cannot refine and absorb mana. These mana and the grievances in his heart are mixed into raging mana that is difficult to control. Therefore, Yin Jiao Dharma phase presents a state of energy overflow like a flame, with energy rising upward and furious." In terms of character modeling, Yin Jiaofa draws lessons from the image of Marshal Tianyou in the murals of Yongle Palace and the picture of the King of Qinglong Temple with three heads and six arms. As for the design of color and texture, the picture of Yin Jiao refers to the image of the blue glazed pharmacist Buddha, showing a triple projection-like energy body as a whole. Director Wuershan said: "the picture in the suburbs of Yin is not the physical expansion of the body, but the energy projection under the action of Kunlun mana." The three heads and six arms can overlap at any time, but there is no muscle and bone pulling. "

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Lei Zhenzi followed her brother Ji Fa to shoulder the important task of defending his homeland

Kunlun Immortals helped Xiqi Yuan Shitianzun to send Yang Kui and Naha to join the defense battle

At the end of the first film, Lei Zhenzi falls from the sky and rescues Xibo Hou Jichang, who was besieged by Yin Shang soldiers, leaving a deep impression on many viewers. In Fengshen II, he has been carrying the cloak left by his father Jichang and his brother Jifa to shoulder the important task of protecting Xiqi. Although Lei Zhenzi is not good at human language, he shows his concern for Ji Fa all the time. Han Pengyi, a dynamic capture actor, said that Lei Zhenzi's emotional expression does not depend on actual words. To this end, he designed special voice and emotional expressions. "while ensuring emotional transmission, Lei Zhenzi has a practical word to support every time he utters his voice." For example, the song made by Lei Zhenzi in the special, which is similar to the tongue-flicking sound, uses the word "brother" as the pronunciation support to express his call to his elder brother Ji Fa. In this life-and-death defense battle of Xiqi, every Xiqi army and people has never stayed out of the matter. San Yisheng (Qian Bo) and Nangongshi (Bayartu) also work with Xin Jia (Wu Hankun), Lu Gongwang (Bailiga) and Taiding (Liu Le) of Xiqi team to defend their homes.

In addition to the army and people of Xiqi, the Yuanshi Tianzun of the Kunlun school also cherished the feelings of life, and sent Yang Kui and Naha to follow Jiang Ziya to join the defense battle. In order to fit the ethereal artistic conception of Kunlun Wonderland, Chen Kun, the actor of Yuanshi Tianzun, proposed to interpret his lines by "interspace transmission". "not speaking can make the immortal feel more solemn." The fairy wind is hidden, and Chen Kun conveys the compassion of the people all over the world and the transcendence of the immortals only by his eyes. On the other hand, Kunlun disciples Yang Kui and Nezhang had more human experiences in the second part of Fengshen. With the continuous enrichment of experience, the two also have more understanding and choices. Yang Kui's actor this Sha and Nahan's Wu Yafan said one after another: "compared with Feng Shen I, their mental journey has some growth, and their feelings for the world will be more delicate."

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the crew of "ideal Home" has built a permanent West Qi City

the details of the upper body clothing of "Phoenix Totem" are within reach of the mythological epic world

In the first part of Fengshen, the pavilions and pavilions in Chaoge City are dotted, and the pillars of the palace temple all show the majesty of the royal family and the ambition of power struggle. On the other hand, Xiqi, which is focused on in Fengshen II, presents a completely different style. In the special, the houses in Xiqi City are scattered, and the wheat fields are surging. Different from the architectural layout of Chao Song row upon row, the arrangement of Xiqi streets and houses does not pursue a strict sense of placement, but conforms to the natural extension of the terrain and life, showing a unique rhyme of simplicity and nature. Ye Jintian, art director and fashion director, said: "Xi Qi City pays more attention to the power of human relations and affinity, so our imagination of the humanities is included in the design." As a whole, it belongs to a relatively warm brown system. " Art designer Qiu Sheng further introduced that in order to create a real environment and atmosphere in Xiqi, the art team abandoned the general way of setting up scenery and built a Xiqi city in the form of "permanent preservation." it took three months to plant a wheat field covering an area of about 30 mu. The folkways of Xiqi City are simple and simple, and the army and people live and die together with their homes. Director Wuershan said: "Xiqi symbolizes an ideal home. What they defend is actually the normal life of ordinary people, ordinary happiness, and good feelings between people."

In addition to the large-scale construction of the real scene, many detailed designs are also in line with the temperament of Xiqi City. In the special, Ji Fa is dressed in Xiqi armour, which is quite different from the style of clothes that used to be the bodyguard of the Wang family of the Yin and Shang dynasties. Different from the bronze tapping technology and turquoise embellishment of Chaoge war armour, Xiqi war armour is covered with cowhide material on the clothing base made of Ramie, making it more down-to-earth and simple. The ornamentation of the belly swallowing part of its armour is no longer a Taotie totem representing the struggle for power, but a metaphor for the peace-loving totem of Xiqi Phoenix bird. Character designer Lai Xuanwu added: "Xiqi's clothes are khaki, echoing the color of the whole piece of rice, while blending the 'earth' color of the five elements and colors." Through the meticulous design of clothing and other meticulous designs, the honest and natural temperament of Xiqi City has sprung up on the screen, making the mythological epic world constructed by the Fengshen Trilogy more authentic and lasting. The Spring Festival in 2025 is the first "unbequeathed version of the world". On the first day of the Lunar New year, take your family into the cinema to see Chinese mythology, celebrate the Chinese New year, and enjoy Chinese ancient rhyme in the flow of light and shadow, and go to an audio-visual feast intertwined with tradition and fantasy.

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Directed by Urshan, Luo Shanshan, Urhan and Guan Xu, producer Jiang Zhiqiang and Huang Bo supervised and starred Yu Shi, Na'er Xi, Chen Muchi, Fei Xiang, Na ran, Wu Xingguo, Han Pengyi, this Sha, Wu Yafan, Xia Yu, Sengge Renqin, Alicu, Zhang Yitaki, Nayintai and Chen Kun. The film is produced by Shanghai Ferris Eye Culture Media Co., Ltd., Beijing Jingxi Culture and Tourism Co., Ltd., Century Changsheng Sky Film Industry (Beijing) Co., Ltd., Beijing Alibaba Film Culture Co., Ltd., Huaxia Film Distribution Co., Ltd., Dongyang Putian Film and Television Culture Co., Ltd., Jiangsu Film Group Co., Ltd., will be released nationwide on the first day of 2025.